Jonathan Watts on Jonty Driver’s ‘Requiem’
Jonty Driver is perhaps the only modern
head of a major public school to have spent a significant time in gaol – as a
student activist against the iniquities of apartheid in South Africa, the
country of his birth. He is a talented polymath – novelist, poet, essayist,
political scientist, sportsman, musician, educationalist; his seven-part poem
Requiem reflects with disarming honesty and openness on his emotional journeys,
with a poignant focus on experiences of love and death: a friend has described
it as ‘utterly personal: quiet, experienced, sombre, vulnerable’.
The evening was in aid of Hantam
Community Education Trust near Colesberg, South Africa
His reading of the poem as part of the
JAM on the Marsh festival in July was all the more moving because of his
matter-of-fact delivery which let the exquisitely crafted verse speak for
itself. The poem uses a number of different, but carefully constructed, forms
and has a directness of language, content and imagery which is accessible and
which – even though personal to the writer - resonate with the experience of us
all, giving up more of its meaning with each encounter. The directness of
Jonty’s poetic communication was heightened by the brilliant performance by Peter
Fields of movements from Bach’s Cello Suite No 1 arranged for violin, with its
deceptively simple, emotionally-charged lines – a wonderful counterpoint to the
poetry in the immediacy of its appeal. All those fortunate enough to be at this
recital encountered a performance of magical feeling and introspection, which
only served to emphasise the shared experience of humanity.
First published in Ewhurst & Bodiam
Parish News © Jonathan Watts / Ewhurst & Bodiam Parish News
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