How the Blog Works

How the blog works




The most recent entries or "posts" appear at the top. To find older ones, scroll down. On the right at the bottom of the page are links to older posts, which you can click on to find material posted last year, last month, etc.

Contributions are welcome and can be e-mailed to me at lawrenceyoulten@gmail.com. Content can include 1) announcements about, or introductions to, forthcoming meetings and other events of possible interest to members. 2) Summaries of talks given at Literary Society meetings or at meetings of the Book Group. 3) Announcements of forthcoming TV or radio programmes of possible interest to readers. 4) Reviews of books read recently or in the past.

Ideally, contributions should be submitted as documents in Word format (.doc or .docx files) and pictures in the form of .jpg files but other formats, including .pdf files are acceptable.

Links can be included to give easy access to relevant material on the internet.

Wednesday, 4 March 2015

Poetry reading by Jonty Driver with violin recital by Peter Field, 11 July 2015

As part of the 2015 JAM (John Armitage Memorial) Festival in the Romney Marsh churches, on Saturday 11th July at 4-00 p.m., in the church of St Mary in the Marsh,  C.J.Driver (Jonty) will read his long poem, REQUIEM, first published in 1997/8, with Peter Fields, the violinist, playing transposed excerpts from Bach’s Cello Suite No 1, in between the seven sections of the poem. 

1. “Before Sunrise” and 7. “Late `Night: Waking” balance each other, so do 2. “Love-song in Twelve Fragments” and 6. “Love-song in Old Age”;  so do 3. “I shall keep my mouth as it were with a bridle…(Psalm 39)” and 5. “Three Elegies"; and 4. “Halfway to Heaven” holds the arch in place.  The poem moves from early morning to mid-afternoon to late night; from winter to spring to high summer; from time present to time past and back to time present; from despair to rage to acceptance - and the forms balance not only each other but the structure, raining from rhymed quatrains to the pentameter (broken and fragmented) to leisurely syllabics.  Yet, for all its technical variety, the voice of the poem is utterly personal: quiet, experienced, sombre, vulnerable. 

REQUIEM provided the words for an order of evening service in Westminster Abbey in November 2014, read then by Chris Chivers, with a cellist, Bryan O’Kane, providing the accompaniment. Details of this event, including the text of the poem, can be seen below in a blog entry dated, appropriately, 11 November 2014.

No comments:

Post a Comment

Note: only a member of this blog may post a comment.