How the Blog Works

How the blog works




The most recent entries or "posts" appear at the top. To find older ones, scroll down. On the right at the bottom of the page are links to older posts, which you can click on to find material posted last year, last month, etc.

Contributions are welcome and can be e-mailed to me at lawrenceyoulten@gmail.com. Content can include 1) announcements about, or introductions to, forthcoming meetings and other events of possible interest to members. 2) Summaries of talks given at Literary Society meetings or at meetings of the Book Group. 3) Announcements of forthcoming TV or radio programmes of possible interest to readers. 4) Reviews of books read recently or in the past.

Ideally, contributions should be submitted as documents in Word format (.doc or .docx files) and pictures in the form of .jpg files but other formats, including .pdf files are acceptable.

Links can be included to give easy access to relevant material on the internet.

Friday, 4 September 2015

Book group discussion of Thomas Hardy Poems, 15 July 2015


On 15 July, Gillian Southgate and the book group looked at the poetry of Thomas 
Hardy.  Tracing his life and poetry chronologically, Gill showed how Hardy's 
descriptions of, and concerns for, the natural world, coloured much of his poetry 
up to 1912, when his first wife, Emma Gifford, died.  The love poetry that followed
consolidated Hardy's reputation as a poet, as well as a novelist. The tenderness, 
regret and pent-up grief informing the 1912 poems brought critical acclaim. 
Already famous as the writer of 'Far from the Madding Crowd', 'The Mayor of 
Casterbridge', 'Jude the Obscure' and others, Hardy on his death in 1928 had become
the Grand Old Man of English letters. His coffin was carried into Westminster Abbey 
by fellow poets Housman and Kipling, the playwrights Shaw and J.M. Barrie, the 
novelists Conrad and Galsworthy, the writer Edmund Gosse, and the Prime Minister 
and the Leader of the Opposition. No anthology since has been complete without the 
inclusion of his best poetry -'The Darkling Thrush', 'The Convergence of the Twain',
'Channel Firing', 'After a Journey', 'At Castle Botterel' and the poignant 'During Wind 
and Rain'.  Hardy wrote in excess of nine hundred poems in his lifetime, and learned 
his craft in the writing of them. Technically, they are superb, and the emotional charge 
so many carry has a lasting effect on most of his readers. His influence on that most 
reticent of poets, Philip Larkin, has been well-documented.

Tuesday, 21 July 2015

Sarah Moss interview on BBC Radio 4 Woman's Hour Tuesday 21 July.

Thanks to Richard Thomas for drawing my attention to an interview with our September speaker, discussing her latest book. To listen to this, click HERE This takes you to the Woman's Hour webpage, and you should scroll down till you see the chapter headings, and click on the Sarah Moss "Play" button. Make sure your computer's loudspeaker isn't turned off.

Sunday, 12 July 2015

Poems by Thomas Hardy for discussion at Book Group, Wednesday 15 July

Gillian Southgate has sent us copies of the poems for discussion at our next meeting. these are:

1) Neutral Tones
1A) An August Midnight
2)The Year's Awakening
3) The Blinded Bird
4) The Caged Goldfinch
5) Chorus of the Years (from The Road to Waterloo)
6) Channel Firing
7) After a Journey
8) Beeny Cliff
9) At Castle Boterel
10) During Wind and Rain 

If you haven't received them, and would like a opy of these poems, please contact me or Gillian.

Tuesday, 23 June 2015

Book Club: Monday 22 June. The First Man by Albert Camus.

This work was chosen by Theresa McMullin. Published posthumously, the unfinished manuscript was found in the car in which Camus had died in an accident. The story draws on the author's experience of growing up in an impoverished French family in Algiers. The political, philosophical and historical context of this tale were discussed by members It was thought that the manuscript was the first section of what was intended to be a much longer work. All agreed that the book painted a vivid picture of the area and the family life portrayed. In some ways it was frustrating not to know what outcome of the narrative component of the book was intended. The earlier chapters showed signs of having been more thoroughly edited than the final ones, which contained some sentences nearly three pages long, requiring more concentration than some of us could muster. Less well-known than his earlier works "The Plague" and "The Outsider", this book was an interesting discovery for all of us.

(The next meeting on 15 July will be on selected poems by Thomas Hardy, introduced by Gillian Southgate, who is going to circulate her choice by e-mail, and I will also try to post them on the blog. LY)

Meeting of Friday 19 June: Humorous readings by members

A quite well attended meeting was entertained by items of humorous prose or verse chosen and read by members. Nearly all those attending had a five minute contribution to share, and judging by the amount of laughter, the excerpts were well chosen. Among the prose authors featuring were P G Wodehouse, in an excerpt from an Ukridge book. P G Wodehouse also appeared later in a pastiche of a "Jeeves" story by Sebastian Faulks in the style of Raymond Chandler, first broadcast on the BBC Radio 4 "Write Stuff" literary quiz. Daisy Ashford's "The Young Visiters" featured, as did work in verse by Joyce Grenfell, Dylan Thomas, Edward Lear and Hilaire Belloc. About sixteen members contributed, with some providing two short contributions rather than a single longer one. Particularly memorable was the Chairman's contribution, an extract from Frank McCourt's autobiographical account of his introduction to teaching in a tough New York school, from his book "Teacher Man"

Wednesday, 6 May 2015

Jon Cook UEA/Guardian biography-writing course.

Jon Cook who gave us a talk on Hazlitt last year, is the tutor for a six-month, three hours a week, biography-writing course starting in London this September. If you want further details, click HERE

Monday, 4 May 2015

Verse for Technophobes, by Gillian Southgate





TO MY COMPUTER

How do I hate thee?  Let me count the ways.
I hate the way you come up ‘undefined’
Or stop my password when I go online.
I really hate the way you say ‘hooray’
When junk mail fails to register as mine.
I hate the silly stories on the screen -
Who cares who Harry’s dating or he’s not?
I do not want to know where cars are cheap
Or if Obama’s Irish, Greek, or what.
I never Tweet, or Twitter, never go
To Facebook.  I just want to use
You like a reference book and writing tool.
But then, I am not young, and you
Somehow detect this, and I feel a fool.


Gillian Southgate 2015